FEATURED ARTICLES
SNOWDONIA REVISITED | Robert Law
From stone quarries that have been active since the Neolithic period and slate quarries that provided roofing for Britain and the world, to modern hydroelectric schemes: The Snowdonia (Eryri in the Welsh language) landscape of 3000ft/1000m mountains, valleys...
MASS PATHS | Caitriona Dunnett
Mass Paths is a series of handcrafted photographs, landscapes of the Irish countryside embedded with absence. They portray the traces of paths walked by Catholics to reach illegal mass during penal times. The Penal Laws were imposed on Catholics in Ireland in...
14.24 | Juan Fabuel
The Mediterranean Sea has always been connected with the idea of cultural origin, trade, movement and tourism. As an essential setting for human development, this region of mild weather was one of the most inhabited places. 14.24 is inspired by the idea of...
THE MIND STATE PROJECT | James Tarry
For years now, I have been trying and failing to come up with a visual project about mental illness. In fact, I've also written several blog posts about this topic after seeing a slew of creatives all discussing how they struggle with mental illness online, but...
LAST GARDEN | Philip J Brittan
‘Come and look at the garden’ were often amongst the first words my mother spoke to me when I visited. She was a dedicated gardener who gained immense pleasure from the many hours she spent working in the garden that she maintained for sixty years. The results...
CUBBY’S TARN | Joseph Wright
This is a story of self - place, loss and memory. Storytelling is one of our defining characteristics, a means of passing knowledge from one generation to another. Without it, much would have been lost to us over the many thousands of millennia we have...
EVERYTHING SEEMED TO BE LISTENING | David Foster
everything seemed to be listening is a project that uses photography, video and found objects to respond to the work of, and to places associated with the work of, the artist Paul Nash. It is funded by Arts Council England’s Grants for the Arts scheme. A...
WHERENESS: THE LANDSCAPE OF UNCERTAINTY | Chris Younger
“The photograph belongs to that class of laminated objects whose two leaves cannot be separated without destroying them both: the windowpane and the landscape, and why not: Good and Evil, desire and its object; dualities we can conceive but not perceive... Whatever it...
CHORA & TERRAIN VAGUE | Matthew Conduit
I have photographed the landscape around my home in Sheffield for over 35 years. A long time ago I arrived at photography through painting and drawing and a fascination for the act of mark making. My images are made within my own immediate environment and until...
WESTERN EDGE | Anne Giddings
For me photography is a form of research: a kind of contemporary archaeological investigation into myself, the world I find myself in and the entanglement between them. I photograph everyday places in which I find a feeling of resonance, or a disorientation and...
COMHARRADH | Lynda Laird
This work is from a series I made called Comharradh - an audio-visual project which is the result of a sustained engagement with the peat bogs and moorlands of the Isle of Lewis. At heart, it is an ode to the moor; to its component parts, peat, water, sea, and...
HISTORY LESSENS | Tom Wilkinson
I made this body of work as a response to questions about history and landscape and where and how my own sensibilities and opinions align. The British Isles has a wonderfully rich and robust history: myths and stories that tell tales of romance and desolation...